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Showing 3 results for Mosque-School

Mohammadreza Bemanian, Fahimeh Nikoudel,
Volume 2, Issue 2 (9-2014)
Abstract

Natural light has been an important element in Iranian architecture and shaping the interior spaces of monuments. During different historical periods, the presence of light in various Architectural works, In addition to the functional aspect, has always been under focus from spiritual religious aspects. The incentive to turn to the light during worshiping God has existed in different religions and still exists. Daylight had have a special place and value in Islam and the Islamic worldview. With the emerge of Islam, usage and application of light in architecture increased especially in mosques as the most important monuments of Islamic architecture In mosques, daylight in addition to functional aspect is considered as a mystical symbol and a sign of God's presence that raises the human sense of reverence and humility in front of God. To this end, for centuries, Iranian architectures have been trying to use traditional architectural elements and daylighting solutions to better deploy the natural light in their designs. This study attempts to investigate and evaluate the application of light-catching elements in Iranian mosques, particularly in mosques and mosque–schools from Qajar period. We use a descriptive and analytical research method and our study is mainly on the basis of resources and the literature available in Iranian libraries. After describing the theoretical foundations of our research, we analyze a number of common light-catching elements in selected mosques. Although a multitude number of studies have been done on the concepts of light and its role and function in the traditional architectural monuments, particularly mosques and homes, little study has been done on light-catching elements in mosques of a specific period as done in this research. Structural elements which have been used in Iranian traditional architecture for utilizing daylight are studied from two directions. In the first direction, light-catching elements often have the task of transmitting light into the interior space. In the second direction, light controlling elements adjust the entered light into the building (similar to canopies). The subject of this research is in line with the first direction. We only study light-catching elements and we chose among them common elements such as door and window, Shabak, Horno, Rozan and Roshandan. Although these elements are different in term of material, type and location of application in the building, all of them are used for light-catching even though some of them have also ventilation application. We chose 10 mosques and mosque-schools of Qajar period in Tehran. The examined mosques and mosque-schools in this research were selected based on the following criteria: first, all the selected mosques and mosque-schools are located in old and valuable region of the city and they are tourists attraction. They have architectural values and are well-known among people and experts. Secondly, the building of selected samples reflect prominent features of Qajar’s architecture. Also the sufficient information (including maps and images) are available for these monuments. We chose 5 mosques and 5 mosque-schools among Qajar’s architectural works. Then, the usage and the application rate of light-catching elements in these buildings are evaluated quantitatively and qualitatively by the use of maps and the available visual data. Quantitative analysis is based on the approximate numbers of elements used in these mosques which have been extracted from the available images and maps. To qualitatively evaluate the application rate of various methods of light-catching in these mosques, we specify four levels of usage: "insignificant","low","medium" and "high". We provide the results of quantitative as well as qualitative analysis in this paper. Our analytical studies indicate that although door and window, Shabak, Horno, Rozan and Roshandan had been considered as innovative lighting elements inside mosques of Qajar period, architectures of this period still mainly utilized door and windows as the main lighting elements. Next to doors and windows, Rozan stands at the second place, Horno in the third place, and then Shabak and Roshandan. The utilization rate of doors and windows among considered mosques and mosque–schools has been similar. Nevertheless, the usage of Horno as a lighting element in mosques has been more than mosque–schools, Rozan and Shabak have been used more in mosque –schools rather than mosques. Roshandan has been barely used in the mosque-schools, and only few samples could be found within some mosques of this period.
Nima Deimary, Nasim Goli Bagh Mahyari, Mahya Tooranpoor,
Volume 9, Issue 3 (9-2021)
Abstract

With the advent of Islam and its emphasis on education, mosques became the main bases of education. With the spread of Islam in different lands and the development of science among Muslims, there was a need for a foundation to hold educational sessions. Emphasis on the importance of science and education by Islam, became the main motivation for Muslims to educate in various fields throughout history. In the beginning of Islam, mosques were the only place for Muslims to gather and start lessons. In the Seljuk era, the establishment of Independent schools like Nezamieh, played a significant role in the development of educational centers and so Iranian became the first nation, amongst all Islamic contries, who built schools. Subsequently, during the Timurid era the schools functioned independently and were separated from the mosques. One of the most important and influential schools of this time is the Ghiasieh in Khargerd. In the following periods, Safavid and Qajar era, rebuilding of educational institutions and religious buildings started with the construction of “mosque-school” buildings which were a mixture of mosque and school functions in one building. One of the first and most important “mosque-schools” of Safavid era is Chaharbagh school which is located in the city of Isfahan. Henceforth in Qahar era, most of the Qajar schools were built in “mosque-school” format. On the other hand, the architecture of the Qajar-era contains too many important innovations which were influenced by deep changes of pre-modern era in Europe. Among these pioneers of architectural change in Qajar era, it is possible to mention the Agha Bozorg “mosque-school” in Kashan. The construction of the “mosque-school” of Agha Bozorg began during the reign of Mohammad Shah in Qajar era (1833-1856) on the remnants of the 1192 earthquake in Kashan. This school was built to become a place for prayer and lectures of Haj Molla Mehdi Naraghi, known as Agha Bozorg. This building is somewhat innovative, and, from some others perspective, deconstructive. The reason for these innovations can be found in revising the concepts and patterns of domestical architecture in Kashan and re-applying them to this “mosque-school” which makes this building look like a mansion, not a mosque. A mansion for the students to live in.On the other hand, Kashan city includes some of the best examples of residential houses in Iran, which are designed to live in the harsh climate of desert using similar patterns that has formed through the centuries. In this research, ten Qajar mansions were chosen, which were built in a period of 10 years, before and after Aghabozorg “Moque-school”. This Period of time indicates the time
frame in which a traditional mansion was built, because in some examples, due to traditional building methos, it takes 20 years to build a mansion in Qajar era. By comparing Agha Bozorg “mosque-school” parts, elements and patterns with similar elements in residential buildings of the same period, in Kashan, it seems that Agha Bozorg is a domestic building that is covered by a mosque`s face, and the architect of this building has considered the architectural design of the building with elements of Iran traditional mansions such as: Basement yard which is a yard in -1 level and beneath the main yard to reach the underground water and cool temperature of soil. This basement yard is a common element in Kashan masions. The other element is called Mahtabi, which means moonlight place, and is a platform above the main yard and is used to benefit the cool nights of desert. The other element is Badgir or wind catcher which is very rare in mosques and school and a popular element in Kashan houses. It`s Hard to find a mansion without Badgir in Kashan. In designing the façade of Aghabozor “mosque-school”, the architect, borrows the classic pattern of Kashan mansions with a big room in the middle which is called Panj-dari and two smaller rooms which are called Sedari. These names mention the rooms with 5 and 3 windows. Even the way to enter each room is taken from mansions, entering from the side of the room not from the front- unlike most of traditional schools. As a result, this school looks like a traditional mansion with a dome and a pair of minarets and, it seems that the architect, unlike all his predecessors, Ignores many classic patterns of a mosque, even the holy direction of Kiblah, and chooses the acclimate orientation. This climatic design is the only way for people in Kashan to survive the harsh weather, hot sun and sandstorms of the desert and architecture of all houses in Kashan is based on similar elements and patterns which were transformed into new functions in a creative way. So this building has essentially turned into a shell of a traditional mansion over “mosque-school” functions. A “mosque-school”,that benefits the climatic design of a house to make it a better climatic place for the students to live in

Mahboobeh Sadat Mirshamsi, Professor Mohsen Vafamehr, Dr Heidar Jahan Bakhsh, Dr Zahra Barzegar,
Volume 11, Issue 4 (11-2023)
Abstract

In the noble verses of the Quran and the traditions of the Prophet Muhammad (pbuh) and the Imams, multiple references have been made to places of worship, education, and residence. On the other hand, religious texts have extensively discussed light and its concepts. Architecture has long been a manifestation of sublime human emotions and a platform for the realization of human excellence. It creates a perceptible space that leads individuals to contemplation. Therefore, this article focuses on the assessment of daylight in the combined pattern of mosque-school-residential buildings, in one of its exceptional case studies, the Mansouriye Traditional Seminary in Shiraz. Daylight was evaluated based on indicators of illuminance, daylight factor, and light penetration depth on the first day of 22 December from 8 AM to 5 PM. The data for each component was collected in the selected southeast direction of worship, educational, and residential spaces using measurement methods (lux meter device), numerical calculations (Olgy formula), and geometric calculations. The data was then analyzed using two quantitative comparative methods with the standard of LED and the Iranian Lighting Design Association, and a qualitative analysis method. The results indicate satisfactory utilization of daylight in the studied space within the functional time frame of Islamic-Iranian architecture. The illuminance intensity in the mosque does not meet the standard. However, this indicator ranges from 200 to 500 lux in the school and from 150 to 500 lux in the room, aligning with the specified standards. The daylight factor in the place of worship does not have the standard, while it ranges from 2 to 5 percent in the school and in the room until 11 AM remain within the standard.


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