M. Ghalehnoee, A. Ghaffari, N. Mohsen-Haghighi,
Volume 28, Issue 2 (12-2018)
Abstract
Sound as a non-visual component of landscape, has a significant impact on individuals perception of space. Because unlike the landscape that seeing and looking is totally an optional action, soundscape regardless of people comes to be heard and understood. Lack of attention to quality of emitted sounds in the environment may leads to problems such as noise pollution, lack of concentration, noise annoyance, disturbance and lack of privacy in people conversation in the urban spaces. A qualitative- quantitative assessment of soundscape is essential. In this regard, Naghsh-e-Jahan square in Isfahan, Iran as an urban space needs to be studied. The aim of this study was to evaluate the physical indicators of soundscape in Naghsh-e-Jahan square and to discover people perception of sounds. For this, questionnaire (n=385) was used. Indicators of LAeq and Ldenwere evaluated via St-8851 sound level meter. Field sound metering (429 points with 10 meters intervals near to the walls in depth of 2 and around the fountains and 20 meters intervals in the interior space) has done. In order to complete coverage of noise events and acoustic condition three temporal frameworks; day time (07-19), evening (19-22), night (22-07) were selected. All the field studies were in winter of 2016. Collected data entered into the GIS map and noise maps produced. Results of questionnaires showed that the most unpleasant sounds were motorcycle and cars and gharries and most pleasant sounds were water sound. Results showed that in some points such as around the central fountain, entrance of Qeysariyeh Bazar, loop between Sepah and Hafez St. and pass of carriages, and the mean overall Lden is higher than standard levels of noise in urban spaces 55 dB (A) and need to be controlled and reduces up to stand.
Fatemeh Khozaei, Maryam Lesan, Mahdieh Hosseini Nia, Prof Ahmad Sanusi Hassan,
Volume 35, Issue 4 (11-2025)
Abstract
This study aims to examine how the Burden of COVID-19 (BUC), depression (DEP), and stress (STR) are related to soundscape preferences (City Voice/traffic, Music, Voice of Nature/birdsong) and to distil design implications for pandemic-resilient urban parks. This cross-sectional online study with N = 323 university students used a 60-s 3D animation of a constant green pedestrian way with three randomized audio conditions (City Voice, Music, Voice of Nature). Psychological variables were assessed with DASS-21 subscales (DEP, STR) and a 10-item BUC index. To minimize loudness confounds, audio was loudness-normalized (BS.1770-5) and participants completed a brief headphone screening before trials. Analyses reported Cronbach’s α, Pearson correlations, exact p values, and FDR control. The study showed that BUC correlated positively with Music (r = .288, p < .001), DEP (r = .213, p < .001), and STR (r = .186, p = .001), but not with City Voice or Voice of Nature. DEP correlated positively with Music (r = .174, p = .002) and Voice of Nature (r = .492, p < .001). STR correlated positively with Voice of Nature
(r = .377, p < .001). City Voice showed no reliable associations with BUC, DEP, or STR. All effects with p ≤ .002 remained after FDR control. Park and streetscape projects should buffer traffic noise, foreground pleasant natural acoustics (e.g., water features, habitat for birds/insects), and consider opt-in, curated music zones during crises to support self-regulation and recovery. Sound-attentive design can extend restorative experiences to communities with limited access to large green spaces, supporting equitable mental-health resilience during public-health emergencies. However, findings should be interpreted with caution given the student sample, correlational design, and single-item soundscape preference measures. The study isolates the auditory contribution to restoration under controlled loudness in a virtual park, links pandemic burden to sound preferences, and translates results into actionable soundscape guidelines for pandemic-ready urban design.
