International Journal of

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Abstract The Qajar dynasty was a time of civil wars as well as the wars against Russia, meanwhile, Qajarid Shahs, understanding the power of sublime art both in internal and external political relations, tried to expand and renew the style of the mural decorations which is the issue of this article. Increasing the relations with European countries like England and France, Fath Ali Shah and his court were influenced by European diplomacy, culture and art. Also they were deeply inspired by pre-Islamic royal and artistic concepts and styles. Early Qajarid murals were the obvious return to tradition this study tries to identify the sources and socio-political reasons that lead to this movement. In the other hand, realizing the function of the mural decoration and political determination of the king and his court in early Qajarid period, which moved away from the common Zand theme and function (the Persian former dynasty) and followed the imperial art of the Achaemenid and Sasanid eras, can explain their formation of historical compositions and majesty of their artworks. By the seventeenth century, as a result of extended contacts with Europe the unfamiliar tradition of painting in oil on canvas was gaining currency among Persian artists. Although the medium was borrowed from European painting, the style remained largely indigenous. The influence of imperial Sassanian and Achaemenid themes also appeared on the carved figural reliefs. Mural decoration and art were led to serve political affairs in order to legitimise the Qajar dynasty.

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The rapidly growing world energy use has already raised concerns over energy resources and greenhouse gas (GHG) emissions. Since the global contribution from residential buildings towards energy consumption, has steadily increased between 20% and 40% and as large openings have considerable energy and heat loss in dwellings, this paper establishes a coefficient of heat loss and air infiltration through large openings in 10 historic dwellings (Qajar and Pahlavi era) in Tabriz, Iran. The results show that although Qajar era houses have larger windows than Pahlavi era equivalents, the rate of heat loss of openings per square meter of facades (Ĥ) and the air infiltration per square meter of facades (FA) of openings for Pahlavi era houses is more than the Qajar era equivalents. Therefore Openings of Qajar era houses have been designed more efficient than those of the Pahlavi era. Although the generally accepted way of building energy saving houses in cold climate has been to use small windows, the results indicates that instead of exploiting small openings in facades, it is possible to enlarge the windows to get better lighting conditions and simultaneously decrease the area of openings per square meter of facades for lower heat loss through these openings.

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In the current study, an endeavor is undertaken to formulate specific recommendations for the design of facades pertaining to infill buildings situated in the proximity of valuable urban Qajar residences within the Mazandaran province. The conspicuous lack of such directives within the regulatory framework of this region is noteworthy. The imposition of guidelines pertaining to façade design is imperative to establish visual congruence between contemporary structures and historical Qajar edifices in the urban landscapes of Mazandaran province. The present investigation employs a comprehensive approach, integrating both the interpretive-historical strategy and the logical argumentation strategy. A scrutiny of 30 valuable urban Qajar residences in Mazandaran province is conducted, wherein their distinctive features are systematically classified under eight discernible categories. Subsequently, a conceptual framework is developed by leveraging Semes' design strategies model and drawing inspiration from Groat's theoretical framework. Concurrently, the practicalities inherent in Mazandaran's urban conservation system are taken into consideration. This conceptual framework serves as the foundation for the articulation of facade design recommendations, delineating acceptable design methodologies for its constituent elements. Within this framework, a concerted effort is exerted to advocate conservative strategies for the macro elements of facade design, juxtaposed with latitude for more abstract approaches when addressing the micro elements. It is noteworthy that the intentional opposition approach is deemed unsuitable. Ultimately, drawing upon typological analyses of the compiled samples and adhering to the established framework, a series of recommendations for facade design is proffered. This study serves as a foundational step toward the formulation of design guidelines tailored to the historic districts of Mazandaran.